Busting Myths: Why Virtual Production Isn’t What You Think

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      "details": "Lesley Manning a graduate of The National Film and TV school is best known for directing the seminal horror film GHOSTWATCH Screen 1 which Indiewire voted amongst the top 20 “Best British Horror Films of all Time”. \n\"I loved it! One of the better examples ever of how to properly do a mockumentary\" Oren Peli, director of Paranormal Activity \n\"I love Ghostwatch. So scary\" Guillermo Del Toro 2020. Patton Oswalt US comedian with 5 million followers discovered Ghostwatch on Shudder 2025  “I thought it would be a fun, spooky watch……. BOY was I wrong. This is a terrifying, beyond disturbing 90 minute mindfuck. No violence, no gore — just deep-in-the-bones terror and dread.” \nLesley is currently in post on $20 million film WHITE MARS, produced award winning producer and collaborator Annalise Davis",
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  "description": "Across the industry there are several misconceptions about virtual production. It’s a VFX tool. It’s only good for car scenes or sci-fi. It’s too expensive for independent films. It’s a silver bullet that can fix all problems. \nIn this session our panel will bust these myths and provide insight into how filmmakers can truly benefit from virtual production and how it’s changing the film and TV production landscape. And to put it to the test, the session will end with our panel breaking down a film treatment live to show how filmmakers can plan a shoot to get the most out of virtual production.",
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  "long_description": "Across the industry there are several misconceptions about virtual production. It’s a VFX tool. It’s only good for car scenes or sci-fi. It’s too expensive for independent films. It’s a silver bullet that can fix all problems. \nIn this session our panel will bust these myths and provide insight into how filmmakers can truly benefit from virtual production and how it’s changing the film and TV production landscape. And to put it to the test, the session will end with our panel breaking down a film treatment live to show how filmmakers can plan a shoot to get the most out of virtual production.",
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