Artificial Imagination and The Fiction After Cinema

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      "details": "Grégory Chatonsky is a french artist who explores the zone between human beings and technologies. He deals with memory, extinction and resurrection, and constructs fictions without narration.\nHe founded Incident.net, a Netart platform, in 1994. In the 2000s, he explored digital materiality as ruins and flux. From 2009, he experimented with AI, organizing a seminar at ENS between 2017 and 2019 on the impact of artificial imagination on art.\nHe has exhibited at the Palais de Tokyo, Centre Pompidou, Jeu de Paume, MOCA Taipei, Museum of Moving Image, Hubei Wuhan Museum, Musée d’art contemporain de Montréal, Tanneries, Biennale de l’image possible, CIAP Vassivière, POUSH, Un été au Havre, Collection Lambert, AlUla, MACVAL, Moody Center.\nHis works can be found in private and public collections, including those of the CNAP, FRAC IdF, FAC, BNF, Hubei Museum and Granet Museum.\nHe has taught at Le Fresnoy, UQAM, Artec and Musashino Art University. He is co-director of Feral Institute, a school for AI authors. He was part of the expert committee for the AI Act and the AI Summit, and wrote a report on the impact of generative AI on cultural industries for the Ministry of Culture in 2017.",
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  "description": "This conference examines how AI, beyond cost reduction and visual effects, inaugurates a post-photographic rupture. Cinema's factuality—rooted in photographic capture of what was—confronts AI's counterfactuality: statistical generation of what could be, freed from indexical constraints. After metabolizing cinematic language, AI opens unprecedented fictional territories: evolving generative narratives, multiversal storytelling, dissolution of boundaries between creation and reception. We explore these new fictions that transcend filming constraints and classical narration, revealing how counterfactual generation catalyzes an anthropological mutation of our fictional regimes, and a means of resistance to the dissolution of common truth.",
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