Artificial Imagination and The Fiction After Cinema

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      "details": "Grégory Chatonsky is a French-Canadian artist who explores the troubled zone between human beings and technologies. He deals with memory, extinction and resurrection, and constructs fictions without narration.\r\rHe founded Incident.net, a Netart platform, in 1994. In the 2000s, he explored digital materiality as ruins and flux. From 2009, he experimented with AI, organizing a seminar at ENS between 2017 and 2019 on the impact of artificial imagination on art.\rHe has exhibited at the Palais de Tokyo, Centre Pompidou, Jeu de Paume, MOCA Taipei, Museum of Moving Image, Hubei Wuhan Museum and many other venues. His works can be found in private and public collections, including those of the CNAP, FAC, BNF, Hubei Museum and Musée Granet. He has taught at Le Fresnoy, UQAM, Artec and Musashino Art University.",
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  "description": "This conference examines how AI, beyond cost reduction and visual effects, inaugurates a post-photographic rupture. Cinema's factuality—rooted in photographic capture of what was—confronts AI's counterfactuality: statistical generation of what could be, freed from indexical constraints. After metabolizing cinematic language, AI opens unprecedented fictional territories: evolving generative narratives, multiversal storytelling, dissolution of boundaries between creation and reception. We explore these new fictions that transcend filming constraints and classical narration, revealing how counterfactual generation catalyzes an anthropological mutation of our fictional regimes, and a means of resistance to the dissolution of common truth.",
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